The following are some of the questions I, and my fellow glassblowers inevitably receive from the public during glassblowing exhibitions:

Q: What is glass?
A: Glass is primarily melted sand, the kind you find on the beach. Sand is composed mostly of silica crystals (silicon dioxide -- silicon and oxygen, SiO2 -- the two most abundant elements in the earth’s crust). The problem is that the melting point of sand is around 3100˚ F. which is impractical for glassblowing. Adding soda ash (sodium carbonate) lowers the melting point to a more acceptable 1600˚ F., but unfortunately, glass made from silica and sodium carbonate will actually dissolve in water. So we add powdered limestone (calcium oxide) to make the glass insoluble in water. The exact percentages of these substances varies according to the physical properties desired, but sand accounts for about 2/3 of the total.

Q: Is glass a liquid or a solid?
A: It is neither – or both depending on how you look at it. It is called a liquid/solid because as it cools from the molten state, it becomes a solid without crystallizing. The atoms of minerals and metals, on the other hand, line up in an orderly crystalline arrangement as they cool. Glass atoms remain randomly arranged in a non-crystalline (amorphous) state.

Q: How hard do you have to blow?
A : Temperature is the critical variable. If the glass on the end of the blowpipe is too cold, you could blow your brains out and nothing will happen. You might as well be blowing into a brick. If it is too hot, a slight puff might blow a hole through the glass. So, you don’t have to blow hard if the glass is the right temperature: not too hot, not too cold, just right.

Q: What happens if you inhale?
A: Not much, since you are inhaling the air that you previously blew into the glass. If the glass is hot enough, however, carefully inhaling will collapse the sides of the bubble, creating a dimpled object. This can produce a very nice effect.

Q: How do you get the color in a piece of blown glass?
A: Color can be applied in various ways: by rolling a hot gather of clear colorless glass in colored glass powder or in chips of colored glass called frit or in shards of colored glass. You can also begin a blown piece with a chunk of solid color. The colored glass is usually coated with layers of clear colorless glass, although sometimes the color is applied to the outer surface of a blown piece. Each method yields different effects.

Q: How is the colored glass made that you use to color a blown piece?
A: Metallic oxides are added to clear glass to create colors. Almost any material can be dissolved in glass. Blue is made by adding cobalt or copper to clear glass; green (chromium), ruby (pure gold) – the exact formulas are closely guarded secrets of the manufacturers. Special glasses are also made by adding substances to the clear glass, for example, crystal is made by adding lead oxide.

Q: What is Pyrex?
A: Borosilicate (Pyrex) glass is made with boron oxide in place of the soda and lime found in soft glass plus a metal oxide such as aluminum oxide. Because the boron oxide particles are so small, the silica is held together more closely resulting in a much stronger glass.

Q: Does the color go all the way through a piece of glass?
A: Rarely. It is usually sandwiched between layers of clear colorless glass. If you were to break say, a blue vase and view the edge of one of the shards, you would see a very narrow band of blue color – perhaps the thickness of a human hair -- in the middle of clear glass.

Q: If glass is primarily made of sand, what happens when lightening strikes the beach? Do you have glass or just some hot sand?
A: Glass. If lightening strikes the beach, the heat will melt the sand and create glass, producing what is known as a fulgurite. Most are hollow tubes, many with branches projecting out from along the tube, much like a dead tree. They range from a few inches to as long as 15 feet. You can see some in the final scenes of the movie "Sweet Home Alabama" where some large fulgurites are on display in an art gallery.

Q: Who first discovered glass?
A: Stone-age man used natural obsidian, a glass formed by the heat and pressure of volcanoes, for tools. The earliest man-made glass objects, glass beads and glazes on ceramic pots and vases dates back to about 3500BC in Egypt and Mesopotamia (Iraq). The oldest glass vases date back to the 16th century BC in Mesopotamia. The earliest blown glass dates back to about the time of Christ in Syria. About that time the Romans began using molds for blown glass. Glassblowing spread throughout the Roman Empire, and gradually different areas developed distinct characteristics. During the Middle ages, Venice assumed the role as the world’s glassmaking center. Because of the danger of fire and to protect glassmaking skills and secrets, in 1291 city authorities transferred all glassmaking to the island of Murano where several thousand glassmakers lived and worked. (Murano is still an exciting place to visit today.) In the 14th century, another Italian glass center, near Genoa, began to spread glassmaking skills to other countries in Europe, so that today many European countries (Sweden, UK, Germany, France, Eastern Europe, etc) all boast of glassmaking industries. Some European glassmakers immigrated to the US in the early days of our nation’s history. The US developed a thriving glass industry, and today the US is given credit for establishing the studio, or artistic, glass movement, beginning in the 1930’s.

Q: Why is shipping so expensive?
A: Glass has to be specially wrapped with lots of extra padding to ensure safe arrival. Shipping costs are in part due to the size of the box.
 

 

 

 
 
 

© 2005 - Design Meyers Art Glass